{"id":2684,"date":"2025-03-19T13:16:41","date_gmt":"2025-03-19T13:16:41","guid":{"rendered":"http:\/\/www.e-rihs.pl\/?p=2684"},"modified":"2025-03-19T13:16:41","modified_gmt":"2025-03-19T13:16:41","slug":"trzeci-wyklad-hs-academy-komputerowe-obrazowanie-dla-dziedzictwa-kulturowego","status":"publish","type":"post","link":"https:\/\/www.e-rihs.pl\/index.php\/trzeci-wyklad-hs-academy-komputerowe-obrazowanie-dla-dziedzictwa-kulturowego\/","title":{"rendered":"Trzeci wyk\u0142ad HS Academy – Komputerowe obrazowanie dla dziedzictwa kulturowego"},"content":{"rendered":"

Trzeci wyk\u0142ad trzeciej edycji HS Academy zostanie wyg\u0142oszony\u00a0w czwartek, 27 marca wyj\u0105tkowo\u00a0o godz. 11:00<\/span><\/strong>\u00a0przez\u00a0profesora Marca Waltona\u00a0<\/strong>i\u00a0nosi tytu\u0142<\/p>\n

\u201e<\/strong>Computational Imaging for Cultural Heritage: Where we are and What is our Future?\u201d<\/strong><\/h1>\n

B\u0119dzie on po\u015bwi\u0119cony\u00a0metodom obrazowania komputerowego w badaniach obiekt\u00f3w dziedzictwa pozwalaj\u0105cych na uzyskanie informacji niedost\u0119pnej poprzez klasyczn\u0105 obserwacj\u0119. Przyk\u0142ady b\u0119d\u0105 dotyczy\u0107 obrazowania obiekt\u00f3w\u00a0w mikro i makro skali z wykorzystaniem technik AI.<\/p>\n

Oto pe\u0142na informacja o wyk\u0142adzie:<\/strong><\/p>\n

The third lecture of the 3rd Edition of the HS Academy „Current Topics in Heritage Science” series will be delivered on March 27th, 2025, at 11 am (CET), by Marc Walton. The lecture „Computational Imaging for Cultural Heritage: Where we are and What is our Future?”\u00a0<\/strong>will provide the attendees with an introduction to the computational imaging in heritage science.<\/p>\n

<\/p>\n

Speaker:<\/strong><\/p>\n

Marc Walton<\/strong>\u00a0is a professor in the Museum Studies Program at the University of Hong Kong. Prior to this, he held senior leadership positions at Hong Kong\u2019s M+ (Head of Conservation and Research) and in academia as co-director of Northwestern University\u2019s Center for Scientific Studies in the Arts where he was also Research Professor of Materials Science. He has led numerous scientific projects investigating art objects in collaboration with cultural heritage institutions representing a broad range of disciplines (from anthropology to contemporary art) and geographical reach (both U.S. and internationally). He has also held positions at the Getty Museum and the Los Angeles County Museum of Art (LACMA) after receiving training in art history, conservation and archaeological science at NYU\u2019s Institute of Fine Arts and the University of Oxford. Professor Walton\u2019s most recent research is on developing and using imaging technologies in the field of conservation science to better understand how artworks were made and deteriorate.<\/p>\n

Abstract\u00a0<\/strong><\/p>\n

Computational imaging requires the optimization of hardware and software to gain information about a scene that is not accessible using traditional methods. For cultural heritage, this approach opens possibilities for new, non-destructive, yet highly specific means for understanding the chemical composition, structure, and shape of an object, building, or landscape. In this lecture, the speaker will present a brief background on the aims and goals of computationally imaging cultural objects, followed by an overview of his research group’s contributions to the field, which started at\u00a0Northwestern University<\/strong>\u00a0and is now at the\u00a0University of Hong Kong<\/strong><\/a>. A particular emphasis will be placed on taking the lessons learned from imaging the macroscopic world (things larger than a hand specimen) into the microscopic realm, which is more difficult due to the nonlinear interactions between light and matter at this scale. The last part of the lecture will examine the use of artificial intelligence and, specifically, foundational models (like those employed in OpenAI’s ChatGPT) to solve problems in identifying and retrieving microscopic images of pigments, fibers, corrosion products, and other materials relevant to culture<\/p>\n

Key topics\u00a0<\/strong>Computational imaging in cultural heritage<\/p>\n